Plotlines, Outlines, Godplay

I Feel You

Here's an odd little story I submitted to a local literary magazine for their 'Siblings' issue. It didn't make it through to selection, and so I share this tale of strangeness with you here.

Fiction Friday: Three Tellings

While editing older writings, I came across this narrative exercise from my MA coursework. For this assignment we had to take a scenario/vignette and write it in three ways, altering tense and POV in each.

(Fiction) Words for Wednesday: What we did to Sara

I wrote this opening with the grand plan of developing the story through the manic mechanism of NaNoWriMo. But as I’ve come to expect every single year, I start out fizzy and end up flat. I don’t see these characters living beyond the few lines I’ve put down here. Enjoy, as you can, their brief mortality.

Fiction: Moon Sonnet (A Short Story)

I submitted this short story for Short Story Day Africa 2014. This year's theme was Terra Incognita. Though I do read in the genre, writing speculative fiction is indeed unknown ground for me. My story didn't make the longlist so I thought I would share it with you here.

Writivism 2014 Flash Fiction: No Juju That Strong

She sways and spins, her position held by hips as broad as a baobab. The feather-duster in her hand sheds ostrich plumes. They rain down hope on the woman kneeling before her. Mama Eve raises feet clad in green plastic mock-crocs. She stamps on a heap of cowrie shells, filling the room with brittle crackling.

Home Invasion

We were introduced to the Black Box writing technique by supervisors Silke Heiss and Paul Mason in an MA seminar that dealt with conceiving the bones and sinews of a story.
Elements are chosen randomly from five categories; character, situation/incident, place/setting, time and theme.
These selections are then used to develop the framework upon which the narrative hangs.
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