Notes on Writing as a Writer in Residence I

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It’s a complicated time to be at a university in South Africa. It feels like an act of detachment to sit in an office on the fifth floor and write while men in padded riot gear accessorize the buildings. I can not be unaware of what it means to be in this space when others are protesting the price of their access to it. The careful thing to say is the cause is legitimate, the violence is not. Buildings and bodies are under threat. A militarized campus ticks with sharp menace. Writers do not exist out of the context of their time, even genre writers. World-building is about presenting alternatives to the status quo.

A month’s worth of uninterrupted writing time is Writivism’s most generous gift. At first, I am giddy at the luxury of pure writing hours set before me. Stellenbosch is wine country and it’s just as well that I do not drink, for I would celebrate every evening with abandon. After I come to terms with what it is I am to write, paralysis sets in. My story seems too big for me. It sits before me, the highest peak in the Boland mountains and I do not have the agility or the endurance to begin the ascent. These are the excuses writers make for themselves. What is failure really? Evidence of effort, at the least? Writers block is the fear of the ugly sentence. I have written and will write many bulky things. I just have to keep reminding myself that, before an edit, no one else will ever have to read them.

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When I’m stuck in a writing ditch, I skim through books and go through cupboards. I open a drawer in the office assigned to me and it’s full of rolled up socks. I pull another one open and find hairdryers among other appliances. The closed storage under the bookcase contains rows of shoes and black bags filled with things I am too polite to rummage through. Does someone live in this space when I am not here? I really must ask someone. I think about how this could be the premise of a short story. When i am meant to  be writing one thing, I am writing another. Like a paragraph of writing that looked like it could dress up as a poem and pass.

I settle into a writing rhythm after a eureka moment on the first Thursday of the residency. I’ve worked out a way to incorporate into a new manuscript some of the experimental writing I’ve been doing over this year and last. I don’t like wasting writing in the same way I will never throw out a jar of Nutella without scraping it clean with exacting precision.

A month is hardly any time at all. I must mine it for all it’s worth.

I Feel You

Here’s an odd little story I submitted to a local literary magazine for their ‘Siblings’ issue.

It didn’t make it through to selection, and so I share this tale of strangeness with you here.

 

I Feel You

At 3pm, in the express queue at Checkers, an orgasm begins to jelly Minnie. She pretend-sneezes and squeezes inward to keep her bits together. It passes just as the cashier asks, “Would you like a packet Ma’am?” Minnie shakes her head, hands the cashier a folded plastic samoosa to unravel and fill with four tins of baked beans.

Minnie walks towards her car, plumbing the depths of her handbag for keys when the contractions ripple through her again, this time the feeling is like washing gloves drubbing against a draining board. Minnie is 35 and a generous portion of her life has been complicated by a series of phantom sensations visiting upon her at random intervals.

When she was 15, her left collarbone throbbed for three weeks while her arms felt like fleshy tubes encasing splinters of bone. The x-rays showed nothing unusual. There was also that winter where she walked around barefoot, in shorts and t-shirts, as if the ghost of a holiday sun burned just under her skin. Minnie’s foster mother took her to spiritual healers, convinced of some dark force at play. Minnie was prayed and pissed upon, given distilled water and aloe juice enemas. There was even a doll made in her likeness, soaked in holy oil, and placed in a box with a Bible, to be kept in a cupboard where no ill could reach. That didn’t stop Minnie’s lungs thickening during her Matric Biology exam. She was about to answer Question Five on the Krebs Cycle, when fingers of chlorine pushed into her nose and she fell to the floor in a fit. Minnie remembers her tongue lolling against the coolness of the brown scuffed lino and that Petrus Meyer wasn’t wearing socks. The entire class had to retake the test. No one asked her to the Matric dance.

The orgasms were the most terrifying until she learnt to control her physical responses to them. They rarely came during the day, but when they did, she was able to suppress them, like an urge to scratch her bum in public.

It took some time before she was able to accurately discern between real sensation and what she calls, Spooky Feels. They are almost always preceded by a slight tingling in her stomach or heat radiating from the back of her head. When doctors ask her to describe the experience, she says it is like someone calling her from across a ravine, that the pain, or the elation, is diluted, strained even, as if it has already passed through something.

When Minnie found a job with a good medical aid benefit, she went for a CAT scan. Like the x-rays from years before, the doctors found nothing. She started seeing a psychologist who suggested her episodes were a result of an unresolved childhood trauma. Minnie, who’d never known her real parents, was happy to accept his theory. It made more sense than her foster mother insisting that Mad Aunt Clara was pushing pins into her ragged effigy every night.

As Minnie drives home, a ball of fire rips through her belly. She swerves and misses a telephone pole by centimetres. The pain persists, and though she can tell it’s another Spooky Feel, there’s something different about this one. It burns as it contracts, and with each ebb, it grows distant, fading, and then it’s gone. Minnie is bereft and she doesn’t know why. Other motorists have stopped their cars, they knock at her windows, “Are you okay?” She nods, her eyes just streaming, blind to everything.

She can’t remember how she gets home. She thinks someone may have followed her to make sure she was safe. Strangers are the kindest.

Minnie is in her kitchen looking for her sharpest knife. She knicks it across her thumb. The blood lines the cracks in her palms and it stings. It is real.

Days later, Minnie is back at Checkers to buy baked beans and candles. It is pay-day weekend and the long queues are perdition. Minnie picks up a newspaper, skimming over tired headlines; crime, corruption, loadshedding. She flips through to the entertainment section but is startled by her face on page five. “Woman and Lover Dead. Boyfriend Arrested.” Minnie reads that a woman and a man were found dead by neighbours last weekend. The man had been shot in the head and the woman in her stomach. The boyfriend turned himself over to the police. The article identifies the woman as Diane Ronalds, 35, estate agent. There is no other information. The picture in the newspaper is taken from one of Diane’s real estate ads.

Minnie taps the shoulder of the man standing in front of her. “Do you see this woman?” she says, tapping at the picture. “Does she look like me?” The man, who has just lost on level 75 of Candy Crush, is ready to dismiss Minnie but he looks at the newspaper anyway. “Yah, you do look the same. Identical, check, even your eyes. She could be your twin.” He’s suddenly interested, and wants to ask Minnie what happened, but she’s blanked out, and he thinks maybe it’s just as well, this is chick-drama he can do without.

24mm Pancakes and Krispy Kremes

I got Naeem a Canon 24mm f/2.8 pancake lens for our wedding anniversary. What’s his is ours, what’s ours is ours, isn’t this construct of a life-long partnership magical?

The 24mm is pocket-friendly both in size and price. It’s sharp, wide enough to fit in all the details, and is also good enough for close-focus. Though not made for portraits, you could get away with photographing people at a bit of a distance to avoid distortion. I think it’s ideal for travel; light and unobtrusive, especially if you’re into street photography. Prime lenses may not always be practical, but they force you into carefully considering each of your frames and I’ve found them to be quite versatile. And the image quality is always on-point; with sharp details and beautiful bokeh from the benefit of wide apertures.

I was invited to a Krispy Kreme Sandton Gautrain experience today. You only need to mention coffee and doughnuts for all three of my wobbling chins to be there. It also seemed like a good opportunity to take the 24mm through its paces.

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Marlboro Gautrain Station
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Krispy Kreme West Street, Sandton
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Fixated on these whisk lighting fixtures

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Again
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And again

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The Krispy Kreme Sandton Gautrain station on West Street branch is the second outlet to open in South Africa. At least six more stores will open in Gauteng before the end of 2016. Original glazed nirvana for everyone!

Other images taken at Rosebank Mall:

 

Shopping Ghosts
Shopping Ghosts

 

Toasted Cheese at WW Cafe
Toasted Cheese at WW Cafe

Photography Project 366: Days 16-31

16/366 Artifice. #project365 #dslr #ifttt #selfportraiture

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

18/366 How the light gets in. #project365 #dslr #ifttt

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

20/366 The Dance. #project365 #dslr #ifttt

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

21/366 Cape Constellations. #project365 #dslr #ifttt #clarendon

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

22/366 Fanfare. #vsco #XperiaZ3Compact #ifttt

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

23/366 The view. #project365 #dslr #ifttt

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

24/366 Coffee coaster ism. #project365 #dslr #lensconverter #ifttt

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

26/366 Tomato Tomato. #project365 #dslr #ifttt #vsco

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

27/366 Pancake stacks. #project365 #dslr #ifttt #foodphotography

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

28/366 Cashew & cinnamon milk. #project365 #dslr #ifttt

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

29/366 Curl up and dye. #project365 #dslr #ifttt #selfportraiture

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

30/366 The sartorialist of Senekal. #project365 #dslr #ifttt #operationhydrate

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

31/366 Evergreen. #project365 #dslr #ifttt Yesterday’s shot, today’s process.

A photo posted by Saaleha Idrees Bamjee (@saaleha_b) on

Photography Project 366: Days 1-15

Project 365 (+1 for the leap year): One photograph a day, every day for the rest of 2016.
I committed to the challenge on an impulse. It is highly likely I will lose my momentum at some point, but for now I am appreciative that I am being forced to slow down and really consider the creation of an image.

Project 365 1
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Project 365 2
2/366 Vegan Cranberry Banana Oat Cookies
Project 365 3
3/366 Ravenous
Project 365 4
4/366 The Smelt
Project 365 5
5/366 Tea Garden
Project 365 6
6/366 Sunset shot through rose-tinted sunglasses
Project 365 7
7/366 Chicken and egg noodle in yellow curry sauce with baby spinach
Project 365 8
8/366 Sputter
Project 365 9
9/366 Some of the humans of my life.
Project 365 10
10/366 Clash
Project 365 11
11/366 Backyard Bird
Project 365 12
12/366 Throwback Tuesday.
Project 365 13
13/366 Cashews in the afternoon.
Project 365 14
14/366 #tbt Blouberg Beach. Shot in 2013. Post-processed on day 14.
Project 365 15
15/366 Stuffed mushrooms; sage, basil and feta.

Follow me on Instagram or Twitter for more Project 365.

Writing Notes from 2015

I wanted 2016 to be the year I stop using the phrase, “Sorry, I’m running late.”

But here it is. Decomposing deadlines and backlogs remain my bane, my breath is still too short to catch up with my legs.

On an unrelated note, I’ve been waking up with a door creaking in my throat, the hinges whistling. It sets my day to a discordant music. I am living between coughs; mostly unproductive hacks shuddering me from one task to the next. It appears to be seasonal allergies, the worst I’ve had. My medication promises clarity. Everything we know is changing. It doesn’t rain when it should, people bleed when they shouldn’t. We are living between tragedies.

#AmIWriting

2015 was not my best writing year. I did not submit much prose work to any call for entries, except for a short piece of fiction I can now safely assume did not meet with success. As for my novel project, I am exactly where I was last year this time – at a sketchy outline phase.

The year was not a complete write-off though.
Two revisited poems, The Phone Call and Grandpa, were published in the 2015 Sol Plaatje European Union Poetry Anthology and Ons Klyntji respectively.
I braved it and sought out a new audience for my work on Instagram and started a somewhat anonymous fiction blog which received a bit of media attention. It was a year for learning and some of the most useful insights came from being a preliminary reader and whittler for Writivism 2015‘s West African entries. After reading 123 short stories from that region alone and settling on 19 for the judges to consider, one develops some sense of what makes a story successful.
The invitation to attend the Ba re e ne re Literature Festival in Maseru was an uncontested 2015 highlight – ignited minds in a soothing setting talking craft and politics, making connections, feeling like you’re part of a bigger story, it was a heady weekend.

My 2015 Writing Lessons

  • Don’t take it personally. Revisit. Edit. Submit. Revisit. Edit. Submit.
  • Be brave. If you can’t be brave, become someone else until you are.
  • At some point you have to got to stop worrying about what people will think. Their offence has nothing to do with you.
  • The first paragraph you write is almost always superfluous. Edit to start strong.
  • Stories are commutes. They start at one place and end somewhere else.
  • A story must manufacture change. Either in your protagonist or in the reader after having read it.
  • Stories don’t have to be about big things.
  • Stories don’t have to be written with big words.
  • Writers are lucky in that their worst lives are their best material.
  • Poetry is hard. But it is always worth it.
  • Read. Read. Read.
  • Write. Write. Write.
  • Reading writing advice is a bit like taking too many vitamins. All you’ll end up with is very expensive urine.